" The Ghost Wall is about the history that haunts us, both personal and cultural. Sarah Moss writes with a descriptive starkness that wraps you up and then leaves you as an observer. The plot is sparse it's from the perspective of a girl pulled back into the past's arcane practices by her abusive father and a group of students hoping to understand Iron age Briton. It is a quiet and thoughtful book, a mere 130 pages long it won't disappoint and you will be thinking about it days after you have finished the last page."
Ellie— From Suggestions From Our Staff
“Sarah Moss writes with a lyricism and an intelligence unlike any other author, and in Ghost Wall she deftly weaves threads of history, power, gender, and obsession into a stunning story that envelops you from the very first page. Lovely and haunting, Ghost Wall is both a powerful glimpse at how humanity interprets its history and a chilling reminder that the lines between past, present, and future are not always as clear as they seem.”
— Rebecca Speas, One More Page Books, Arlington, VA
A Southern Living Best New Book of Winter 2019; A Refinery29 Best Book of January 2019; A Most Anticipated Book of 2019 at The Week, Huffington Post, Nylon, and Lit Hub; An Indie Next Pick for January 2019
“Ghost Wall has subtlety, wit, and the force of a rock to the head: an instant classic.”
—Emma Donoghue, author of Room
"A worthy match for 3 a.m. disquiet, a book that evoked existential dread, but contained it, beautifully, like a shipwreck in a bottle.”
—Margaret Talbot, The New Yorker
A taut, gripping tale of a young woman and an Iron Age reenactment trip that unearths frightening behavior
The light blinds you; there’s a lot you miss by gathering at the fireside.
In the north of England, far from the intrusions of cities but not far from civilization, Silvie and her family are living as if they are ancient Britons, surviving by the tools and knowledge of the Iron Age.
For two weeks, the length of her father’s vacation, they join an anthropology course set to reenact life in simpler times. They are surrounded by forests of birch and rowan; they make stew from foraged roots and hunted rabbit. The students are fulfilling their coursework; Silvie’s father is fulfilling his lifelong obsession. He has raised her on stories of early man, taken her to witness rare artifacts, recounted time and again their rituals and beliefs—particularly their sacrifices to the bog. Mixing with the students, Silvie begins to see, hear, and imagine another kind of life, one that might include going to university, traveling beyond England, choosing her own clothes and food, speaking her mind.
The ancient Britons built ghost walls to ward off enemy invaders, rude barricades of stakes topped with ancestral skulls. When the group builds one of their own, they find a spiritual connection to the past. What comes next but human sacrifice?
A story at once mythic and strikingly timely, Sarah Moss’s Ghost Wall urges us to wonder how far we have come from the “primitive minds” of our ancestors.
Longlisted for the Women’s Prize for Fiction 2019
The New York Times Book Review Editor's Choice
An Indie Next Pick for January 2019
New York Magazine Approval Matrix, "Highbrow Brilliant"
A Southern Living Best New Book of Winter 2019
A Refinery29 Best Book of January 2019
A Nylon Best Book to Read in 2019
A Huffington Post Most Anticipated Book of 2019
A Lit Hub Most Anticipated Read of 2019
A Thrillist Most Anticipated Book of 2019
A Guardian Best Book of 2018
A Times Literary Supplement Best Book of 2018
A New Statesman Best Book of 2018
A Spectator Book of the Year
A Financial Times Best Book of 2018
A Times (UK) Best Book of 2018
A Metro Best Fiction Book of 2018
“I stayed up half the night gulping down Sarah Moss’s slim, unnervingly tense novel. Ghost Wall has subtlety, wit, and the force of a rock to the head: an instant classic.”
—Emma Donoghue, author of Room
“A compact, riveting book.”
—Alyson Hagy, The New York Times Book Review
"[Ghost Wall] compresses large and urgent themes—the dangers of nostalgic nationalism, the abuse of women and children, what is lost and gained when humans stop living in thrall to the natural world—into a short, sharp tale of suspense. The way Moss conjures up the dark magic and vestigial landscapes of ancient Britain reminded me a little of the horror movie The Wicker Man . . . The novel’s feminism, though, felt utterly contemporary . . . I read Ghost Wall in one gulp in the middle of the night."
—Margaret Talbot, The New Yorker
“A master class in compressing an unbearable sense of dread into a book that can be read in a single horrified (and admiring) hour . . . Ghost Wall is perhaps the finest novel so far to come out of the British literary response to these uneasy times.”
—Sarah Perry, The Wall Street Journal
"[A] tiny, sharp knife of a novel . . . a persistent theme of this acutely lovely novel is the way in which all societies—whether ancient or modern, rich or poor—depend on scaffoldings of cruelty, from the meat they eat to the clothes they wear . . . Moss, whose work has long plumbed the psychological roots of timely issues, offers a beautiful corrective to the rugged, wild-man archetype. . . The whole book feel[s] like a web of shimmering connections, unshowy but endlessly complex." —Annalisa Quinn, The Atlantic
"Sarah Moss possesses the rare light touch when it comes to melding the uncanny with social commentary . . . Ghost Wall is such a weird and distinctive story: It could be labeled a supernatural tale, a coming-of-age chronicle, even a timely meditation on the various meanings of walls themselves. All this, packed into a beautifully written story of 130 pages. No wonder I read it twice within one week."
—Maureen Corrigan, NPR
"Moss’ myth-like Ghost Wall isn’t merely a timely topical novel, but rather a timeless work of art."
—Randy Rosenthal, The Minneapolis Star Tribune
“Tense, poetic, and compelling.”
—Mike Doherty, The Toronto Star
“The fear produced by this fine-honed, piercing novel springs not from the superstitious customs of prehistory but from the more intimate horrors of human nature.”
—Sam Sacks, The Wall Street Journal
"A fascinating, horrifying look into the way in which . . . fixation on the past threatens our present and our future . . . Moss skillfully builds an atmosphere of menace and peril, making it so that I both dreaded and couldn’t wait to turn every page, simultaneously afraid and compelled by what strange, inevitable violence lay ahead . . . Spend an afternoon reading this marvel of a book, and then spend the next few weeks thinking about nothing else."
—Kristin Iversen, Nylon
"A tense, provocative, explosion of a novel . . .Both mythic and intensely relevant, Ghost Wall deals with issues of sexuality, class, patriarchy and xenophobia. Think Shirley Jackson meets Margaret Atwood, with a nod to William Golding’sLord of the Flies. You can read it one sitting but you’ll think about it long afterward." —Suzanne Tobias, KMUW
“The story is exquisitely written; the characters are perfectly drawn and pop off the page . . . A triumph.”—Leah Schnelback, Tor.com
"Remarkable, inventive . . . Sarah Moss unpacks the toxic patriarchy all without leaving the confines of a teenage girl's two-week trip to the remote northern edges of England."
—Elena Nicolaou, Refinery29
“I love this book. Ghost Wall requires you to put your life on hold while you finish it. It draws you into its unusual world and, with quiet power and menace, keeps you there until the very last page. Silvie's story isn't one you will ever forget.”
—Maggie O’Farrell, author of I Am, I Am, I Am and The Vanishing Act of Esme Lennox
“This book ratcheted the breath out of me so skillfully that as soon as I’d finished, the only thing I wanted was to read it again.”
—Jessie Burton, author of The Miniaturist
“A perfectly calibrated consciousness that is energetic and lonely and prone to sharp and memorable observations . . . This is a haunting, astonishing novel.”
—Publishers Weekly, starred review
“Thought provoking on multiple levels, with insights into primitive and modern societies, and coming of age in the face of family violence.”
—Library Journal, starred review
"With stark and haunting prose that perfectly captures the harshness of the conditions the group is re-creating, Ghost Wall explores what the past can teach us about the present and what the present can teach us about the past--especially when the two are not as far removed as we may like to believe."
—Kerry McHugh, Shelf Awareness
“A novel as tightly woven as the baskets its heroine plaits, Ghost Wall is a startling and bloody blade of a book. A teenage girl, her parents, and a group of students agree to reenact life in Iron Age England over the course of a holiday, and slide into sacrifice. Elements of The Secret History combine with The Witch, plus bog bodies, patriarchal and class violence—it’s a slender, scathing fable for today, made of the ingredients of the past thousand years.”
—Maria Dahvana Headley, author of The Mere Wife
“Ghost Wall grabs you by the guts and never lets go. Dazzling."
—Elizabeth Day, author of The Party
“A thorny, thoroughly original novel about human beings' capacity for violence.”
“Tackling issues such as misogyny and class divides, Moss packs a lot into her brief but powerful narrative.”
“A short, sharp shock of a book that closes around you like a vice as you read it . . . From the terse, dismaying little prologue, in which an iron age girl is marched out and murdered before an audience of neighbours and family, to the hair-raising, heart-stopping denouement, it hurtles along and carries you with it, before dumping you, breathless, at the end . . . Ghost Wall is a burnished gem of a book, brief and brilliant, and with it Moss’s star is firmly in the ascendant.”
—Sarah Crown, The Guardian
“The curious allure of re-enactment is cleverly explored in Moss’s short, potent novel . . . A Brexity tale to send shivers down your spine.”
—Rebecca Rose, The Financial Times
"Ghost Wall . . . is further proof that [Moss is] one of our very best contemporary novelists. How she hasn’t been nominated for the Man Booker Prize continues to mystify me – and this year is no exception . . . a gripping narrative . . . It’s an intoxicating concoction; inventive, intelligent, and like no other author’s work."
—Lucy Scholes, The Independent, Five-Star Review
"Ghost Wall, a slim but meaty book, is like nothing I have read before; its creepy atmosphere has stayed with me all summer . . . Moss combines exquisite nature writing, original characters and a cracking thriller plot to make a wonderful literary curiosity. It deserves to pull her out of the bog of underappreciation and on to the prize podiums."
—Alex O'Connell, The Times (UK)
"Stunningly good, a tightly written, powerful book about archaeology and Englishness."
—Alex Preston, The Observer
"Moss truthfully conveys the way teenage girls make friends . . . In just 149 pages Moss does a remarkable job at building an engaging, textured world and Silvie is a likeable heroine. You root for her — and she might just surprise you."
—Susannah Butter, Evening Standard
“[Sarah Moss is] this divided country’s most urgent novelist. Her themes: the cycles of history, male absurdity, the forms female subversion may take, in irony, sickness and sacrifice. It helps that she’s absurdly topical, and that she’s funny.”
—Daniel Swift, The Spectator
"Reading Ghost Wall in the context of contemporary Britain only serves to highlight the folly of wishing for the good old days . . . The book can be read as a Brexit fable, where seppuku levels of self-sacrifice are forged with lemming-like gusto . . . There is a spring-taut tension embedded in the pages . . . Moss’s brevity is admirable, her language pristine."
—Sinead Gleeson, The Irish Times
"Moss slowly ratchets up the tension, much as the Iron Age people they are studying used to slowly twist a length of rope around the necks of the human sacrifices they made, up on the nearby moors."
—Roger Cox, The Scotsman
"[Combines] the components of a thriller with a nuanced understanding of history, its fluctuating interpretations and its often traumatic effect on the present . . . Moss’s sensual writing recalls the late Helen Dunmore . . . A bold, spare study of internecine conflict."
— Catherine Taylor, New Statesman
"Characteristically intelligent . . . both subtle and devastating . . . Moss is the author of five acclaimed novels but in this short volume has, I believe, produced her best fiction to date."
“Reading Ghost Wall is an intense experience. Its claustrophobia and fearful build up leave you feeling close to tears. It is a masterful piece of writing that cements Moss’s reputation as one of our best novelists.”
—Sian Norris, Prospect
"The 'ghost wall' of the title becomes a powerful metaphor for the invisible boundaries that exist between different groups of people, not just in the past but also at the present time. Sarah Moss combines her research interests in food, place and material culture to good effect."
—Lucy Whetman, Press Association/The Telegraph
“A masterpiece of concision . . . Whether evoking the landscape and the natural world or charting the dynamics between her strongly drawn characters, there is precision, elegance and, yes, a dark beauty.”
—Martin Spice, Star2
"Moss’s finely balanced novel combines a strong sense of the natural world with a growing atmosphere of menace, interspersed with wry humour."
—Anthony Gardner, The Mail on Sunday
“Certain to give you the chills and the creeps . . . Ghost Wall addresses issues of gender and class, British identity and borders, in 160 pages.”
– Sana Goyal, LiveMint
“Moss is the author of several unsettling and intelligent novels about women constrained by historical circumstance, and this, narrated beautifully by a teenage girl, is one of her best yet.”
"Sarah Moss is fascinated by bodies and isolation, and by bodies in isolation . . . Here, [she] is again drawn to an adolescent female body . . . Moss appears to collapse layers of history, to render skin and knife and rope identical across millennia. What provokes and perpetuates that capacity for harm, and what powers a mystical belief in its propitiatory value, remains eerily unclear, but no less urgent a concern for us than for our ghostly forebears."
—Alex Clark, The Observer
“Is Sarah Moss the best British writer never nominated for the Booker? . . . as brief and unsettling as a bolt of lightning . . . [Ghost Wall] pins us to the page with creeping menace.”
—Anthony Cummins, Daily Mail
“Exquisite . . . the book works subcutaneously, building towards an ending that is all the more horrifying for its unexpectedness . . . an important novel that wears its timeliness lightly.”
“Unnerving . . . An intense and menacing book—the sort that’s best read in one sitting.”
—Francesca Carrington, Tatler
“Sarah Moss . . . combines a poetic sensibility with great storytelling . . . Moss is brilliant on atmosphere.”
—John Boyne, Metro UK
“Succinct and sublime . . . Moss depicts the connections between the people and the landscape with wonderful and lyrical precision, not a word is wasted on the page in her supple prose, and she is also expert at revealing her characters through the tiniest act or gesture. Ghost Wall is a masterclass in the ‘less is more’ style of writing, creating unbearable tension right up to the violent climax.”
—Doug Johnstone, Big Issue
“An unsettling novella about gender, power, and control that immerses you in its dark terror and won’t let go . . . Captivating.”
“Writing that, along with vivid responses to the natural world and acute alertness to class, regional and sexual tensions, recalls the early fiction of DH Lawrence. It brings enriching complexity to this tale of escalating menace.”
—Peter Kamp, Sunday Times
“Moss is the author of a series of unsettling, beautifully strange novels, and her latest . . . is no exception.”
—Sarah Hughes, iNews, “50 Top Reads for Autumn”
“Outstanding . . . The threat of unchallenged authority is brilliantly exposed . . . Grave and sophisticated, lit by flashes of wry humour, this is a drama that excavates our deepest instincts.”
—Caroline Jackson, Country Life
“What I admire . . . is Moss’s ability to find an emotional connection with characters in the far distant past . . . Eerie and gripping.”
—Editor’s Choice, The Bookseller